A Very Encouraging Word!
An unedited message from Facebook
Manuel Alvarez 5:19am Jun 2
Hello Mrs Barchowsky
When I was a little child my twin brother and I were left handed so we use to take the pen with the left hand but in school (in Spain) the teacher force us to take it with the right hand. The result was a disaster. Both my brother and I had always terrible handwriting. It’s small and tense and turned to one side. If I try to write now with my left hand it comes out BAD but bigger and straight. I guest is too late to start writing with my left hand so I’m practising with my right hand.
I only find out about you couple of months ago in the internet just by chance. Instantly i was excited and couldn’t wait to get started. Thank you for inspiring me to improve my handwriting. You made it so easy and fun. Love all the tips and observations you point and the way to talk in the videos. I’m so glad I find your book “Fix it…” I really enjoy my 15 min practice daily. The results are amazing!
Thanks again Mrs Barchowsky
Handwriting Instruction
Handwriting is a much publicized issue. Rightly so, if we consider the research into the cognitive advantages of learning to write by hand rather than relying on keyboards.
I am aware of two companies that appear to be trying to implement their own methods as national standards. To mandate any single method for handwriting instruction would be a grave mistake. Perhaps the Common Core State Standards could benefit from some revision, but not by submitting to the dictates of any one company.
As a handwriting specialist with nearly 40 years experience, I boldly suggest the following simple guide.
1) Pre-writing activities should proceed, and then continue in concert with alphabet instruction. Posture and rhythm are the two critical basics for success in every motor skill, be it baseball, golf, tennis or wielding a chef’s knife. For handwriting these basics are poorly taught while the focus goes to letter and numeral shaping.
2) Beginning letters and numerals should be taught in Kindergarten, and followed through in first and second grades. The design of the characters should encourage development of legibility at age-appropriate speed. The design should exclude any need to teach another method of writing, such as print-script followed by conventional cursive.
Higher education for potential educators should not be directed by any one publisher of handwriting materials. Their bottom line is to succeed as a business that supports one method only. Educators need to understand the history of handwriting, the various handwriting methods in use today, and the means to build sound fine motor skills.
This message is brief, but I invite comments.
RESEARCH
Beware research! I know of some handwriting programs that refer to research to substantiate their programs. The problem is twofold.
First, I know of research to determine the effect of handwriting instruction on the cognition of young children, the difference between learning keyboarding only, and learning handwriting as well. Some of this research has been noted in my earlier blogs.
Second, I know of no research that proves one program is better that others. If you know of such, please let me know. A reason why it may not exist is that it would require following a large number of students who learned to write with each of many programs from Kindergarten at least into high school. At least 9 years!
The best a school or individual can do in choosing a program is to select one that appears to have easy letters and numerals, ones that incorporate the natural movement of hands, and that appears to yield legibility.
Suggested Reading
Marion Richardson, Her life and her contribution to handwriting, by Dr. Rosemary Sassoon is one that I highly recommend to anyone interested in handwriting. Richardson, 1892-1947, was a dedicated instructor of handwriting.
She believed that a model alphabet is needed for beginners. Hers was simple and designed to fit the most natural movements of the hand. She believed that once learned, children should move on from the model to develop personal hands. This is something Sassoon, as mentor, impressed upon me, and which I try to follow in my own instruction.
The norm among handwriting programs is to provide initial letterforms, and to continue with exemplars, grade-by-grade, with larger characters for beginners to copy, followed by increasingly smaller ones to imitate.
Sassoon’s book includes this says-it-all quote from Richardson.
‘As I watched I gradually realised the supreme importance of natural movement and saw that the gestures made were those, and only those, of which the hand was most easily capable.By scribbling they were teaching themselves both to write and draw…I saw that in scribble the same patterns occurred over and over again, and reduced themselves to six that were separate and essential; that in shape every letter of our alphabet was but a variation of these themes.’
Two things are missing in most handwriting programs, attention to natural movement within the design of the letterforms, and allowance for students to develop personal hands.
SIGNIFICANT SCRIBBLES
Scribbling is a key factor in pre-writing. Watch! Watch a child’s completely independent marks for clues as to how the hand moves to create images. Independent means that the child voluntarily picks up anything that will make a mark. Paper may be handy, or a stick may be the tool of choice for scratching in some sand.
Be patient as you observe and find clues to handwriting. Make no verbal remarks about the images. You might suggest starting the image over on the left, or at the top, especially if the child says he or she is “writing.” Remember the child may be imitating you when you have pen in hand, apparently doing something important. Resist the temptation to say, Oh, that looks like an “a,” a “B” or….
Academic Success
As parents we are eager that our children progress as rapidly as possible toward academic success. The general tendency in many countries is to teach “readin’, writin’ and ‘rithmatic” too early. Consider Finland where fifteen year-olds lead the world in all subjects. Children start school at seven. It is enlightening to Google Finland’s education to see their approach to schooling.
Finns believe children should have ample time to learn through play, both independent, and through interaction with other children.
I recently visited my grandchild’s family. I watched the one year-old as she explored and examined her surroundings. She has learned that the food in the cat’s bowl is not her food, and that she can drag a laundry hamper around to make a chair for herself. So many discoveries every day! I have not seen her with a marker, but plenty of time for that!
I Digressed
If marks a child makes are simply imaginary images, the lines are apt to flow freely with few sharp turns and straight lines.
However if the child is pretending to write, lines may be stiff, straight or roundish. He or she may be emulating the letter shapes in books. Letters that make up the words in children’s books are close to the print-script or manuscript usually taught to beginners. The theory is that it is easier to learn to read and write if all the letters are similar.
Strokes that make up a print-script alphabet have little relationship to the natural movements of the hand. The lines in those imaginary images have the rhythm and flow that we need to encourage for fluency in handwriting.
The problem is that the strokes that make up the print-script models have little relationship to natural movements of hands. The lines in the child’s imaginary images have the rhythm and flow that we should encourage for fluency in handwriting.
The first attempts to form letters, even those composed of the easiest strokes, may be more slowly drawn than written, but for the long haul simple, rhythmic strokes will win the day for development of age-appropriate speed and legibility.
Rhythmic movement is important; equally important to the goal of good handwriting is posture. You can help with the early scribbles without intruding on a child’s creative play. Provide broken chalk, broken crayons and short pencils. Why broken, and not brand new? It’s how you train a young hand to hold a writing tool in a relaxed manner, so lines will flow with ease, not with tension. The short object fits a small hand best. It encourages the hold to be with index finger and thumb, and with some support by the third finger, while the palm of the hand is open. A full length pencil fits a small hand poorly.
Lots of positive pre-writing play can lead to the fun of learning to communicate handwritten thoughts in which the child can take pride.
Letters Make Words
A big day for my handwriting efforts as this app for the iPad is launched! Here’s Apple’s info:
http://itunes.apple.com/us/app/letters-make-words/id478304226?ls=1&mt=8
“it makes so much sense”
The quote is from a homeschool mom who expresses her regret that she had not found the BFH program earlier for her son.
A Cursive Comment
This just in from Jonathan who purchased Fix It…Write.
“Thanks, I’ve been wanting to retrain myself in handwriting for a while,
and got back to cursive, but I wish had known about your method earlier.”
Of course, the Barchowsky Fluent Handwriting method in Fix It…Write is cursive, as it flows easily from letter to letter, but most define the method with loops and swirls as cursive.
Chicken Scratch Begone
The popular Fix It…Write is now downloadable as Chicken Scratch Begone. You can order it from http://www.bfhhandwriting.com